Joost Grootens ↓
Head of department and design tutor
Joost Grootens studied architectural design at Gerrit Rietveld Academy in Amsterdam. As a graphic designer he is self-taught. His studio designs books in the fields of architecture and urban space, specializing on atlases and map design, for international publishers and academic institutions.
He has won numerous prizes for his designs, including the ‘Goldene Letter’ and two Gold Medals in the Best Book Design from all over the World competition in Leipzig. In 2009 he was awarded the Netherlands’ most prestigious design award, the Rotterdam Design Prize. In 2010 I swear I use no art at all, a monograph about his work, was published by 010 Publishers.
Joost Grootens is head of the Master Information Design at Design Academy Eindhoven. He has also lectured or been a visiting critic at institutions throughout the world including KADK in Copenhagen, ETH and ZHdK in Zurich, écal in Lausanne, ISIA in Urbino, RCA in London and ENSAD in Paris.
Simon Davies ↓
Simon Davies moved to the Netherlands in 1991 shortly after his graduation from the department of graphic design at Leicester Polytechnic (UK). In 1994 he graduated from the Jan van Eyck Academy in Maastricht and then established himself as an independent graphic designer in Rotterdam. He has worked on commissions for many cultural figures and institutions and produced books and catalogues such as Hugh Maaskant: Architect van de vooruitgang (2003), Maak een stad: Rotterdam en de architectuur van J.H. van den Broek (2005) and Valéry Proust Museum: White Cube Fever (2011). He designed and edited the books Krijn de Koning (2007) and Jan van Toorn: Critical Practice (2008). Several of his book designs have been included in the annual selection of the Dutch Best Verzorgde Boeken (Best Book Designs), and his work has been selected for the Concours International d’Affiches at the International Poster and Graphic Design Festival in Chaumont, France and Beijing Typography 2009. In 2007 he was awarded the prize for the best designed architecture website of the Netherlands organized by ArchiNed in conjunction with the Netherlands Architecture Institute.
He is currently engaged as designer for Fotomuseum Winterthur, Switzerland. He was a tutor at Post-St. Joost, the postgraduate course in graphic design at the St. Joost academy of art and design in Breda between 1999 and 2008, where, between 2001 and 2003 as head of department, he created the exhibition I, we, they. The Post-St. Joost method of design education (Osaka and Tokyo, Japan). He is currently a member of the design advisory committee of the Dutch Creative Industries Fund. He has been a member of the Rotterdam council for art and culture (RRKC), a member of the selection committee of the Netherlands Foundation for Visual Arts, Design and Architecture (Fonds BKVB) and the Rotterdam Art Foundation (RKS).
Gert Staal ↓
Design writer, critic and editor. Started writing in the early eighties and in 1987 he co-edited the first comprehensive survey of modern Dutch design, Holland in Vorm, a book accompanying six parallel exhibitions on design in the Netherlands since 1945.
After having worked as a staff editor for two major Dutch newspapers for almost 15 years, he joined the newly founded Netherlands Design Institute, a government-funded organisation that claimed a pioneering role in questioning the (early) effects of the digital revolution on the design field and on modern culture and society.
Since 2000 he works as an editor-at-large, commissioned by publishers, designers, architects and cultural organisations. Recent books on jewellery designer Ted Noten (2015), the 100 year history of Dutch furniture company Pastoe (2013), and essays contributed to a catalogue on the work of Aldo Bakker (2015) and a publication on colour, Colour in Time (2011) mirror the broad scope of subjects in his current writing praxis. As an editorial advisor to Het Nieuwe Instituut in Rotterdam he writes and edits both policy documents and texts for exhibitions on topics such as the architecture of Herman Hertzberger, Designing Scarcity (with works by MA DAE students), Glass, the New Material Award (won by an MA DAE student) and the Temporary Fashion Museum (2015/16) in which his essay on the changing ethics in the fashion industry – Hacked (2015) – was also part of the installation.
He has been an advisor for several cultural institutions in the Netherlands, including the Mondrian Fund, the Netherlands Foundation for Visual Arts, Design and Architecture, and the Council for Culture.
Kim Bouvy ↓
Coordinator and design tutor
Kim Bouvy is a Dutch artist working with photography and texts that focus on the ‘Condition Urbaine’. She obtained a BA in Fine Arts and an MA in Documentary Photography at the Academy Sint Joost (NL). Her work is characterized by precise photographic and textual observations of public spaces often devoid of people. Her publications and installations consist of large series of still images, in which the landscape – whether ‘natural’ or urban – is never neutral, like photography itself. To her the notion of ‘common ground’ seems to have become more relevant than ever, now that physical distances dissolve, and communities and experiences tend to individualise in the abstract digital space we inhabit. Public spaces can be read and possibly understood as important witnesses of the social, political and economical decisions that define our time in history.
She published Phantom City (2010) a photo novel about Rotterdam; Niemandsland – Berlin without the Wall (2003) and Uit-Zicht (1999). Her work has been exhibited in the Netherlands, Germany, Spain, the Czech Republic, Sweden, USA and China. Parallel to her artistic practise, she has been working as a freelance curator, writer, producer and tutor in the fields of photography, art, design and architecture for different cultural institutions and several academies in the Netherlands. She has lectured about her work internationally.
Koehorst in 't Veld ↓
Toon Koehorst and Jannetje in ’t Veld, who share a background in both graphic design and culture and media studies, set up their studio as an editorial design practice. They produce exhibitions, books, concepts and research for museums, publishers and other institutions. The driving force behind the projects is their interest in history, place, and the principles of display. In many projects design is complemented with editing, writing and curating, as was the case in several exhibitions on materials, developed for Het Nieuwe Instiuut, Rotterdam.
Koehorst in ‘t Veld, based in Rotterdam, initiated the international exhibition and platform Means of Production on emerging practices in contemporary graphic design. Current and past clients include: De Ateliers (Amsterdam), Museum Boijmans van Beuningen (Rotterdam), De Hallen (Haarlem), Filmacademie Amsterdam, FRAME Magazine, nai010 Publishers, Rijksmuseum Twenthe (Enschede) and Witte de With Centre for Contemporary Art (Rotterdam).
Koehorst in ’t Veld received several awards for their book designs including an AD&D award and two Deutsche Architektur Museum Architecture Book of the Year awards. Both Jannetje in ‘t Veld and Toon Koehorst are regular lecturers and guest-teachers.
Frans Bevers ↓
Frans Bevers currently works as an independent curator, designer, consultant and tutor. Until 2012 he was co-director of OPERA Amsterdam, a design firm working in the field of interior architecture and exhibition design founded in 1981. The studio produces major exhibition designs and large-scale museum interiors as well as retail, office and interior designs for the health sector. Through the years OPERA Amsterdam worked for clients such as: Victoria & Albert Museum, British Museum, British Library, Hampton Court Palace, Kensington Palace (London) National Museum of Korea (Seoul), National Museum of Denmark (Copenhagen), Museum of Modern Art (NYC), Museum of World Culures (Göteborg), Rijksmuseum (Amsterdam), National Museum of Ethnology (Leiden), Hema (Amsterdam), Tempoteam (Amsterdam), AMC Emma Children’s Hospital (Amsterdam).
Next to a range of nominations, award-winning projects include: Inside Festival Barcelona, 2011 (Ceramic Study Galleries Victoria & Albert Museum), Dutch Design Award, 2004 (Hema pilot store), Lensvelt-De Architect Interior Prize, 2001 (National Museum of Ethnology).
He was tutor and head of the department of Architectural Design at the Gerrit Rietveld Academy (1979-2007), and lectured at Parsons School of Design (NYC), Shanghai Normal University (Shanghai), East China Normal University (Shanghai), University of Illinois (Chicago). Recently he joined the teaching staff of the Royal Academy of Arts (The Hague). As a passionate cyclist he published Dagboek Amerika (2015). Pijn in het Peloton (together with Pieter Cramer) is due to be published in the summer of 2017.
Anja Groten ↓
Anja Groten is an independent designer and researcher based in Amsterdam. Investigating the possibilities of frictional encounters as part of design practice, Anja designs collective moments of critical making, aimed at discussion, confrontation and contingency. Anja works on (self-)commissions and besides tutors at the Design Academy Eindhoven and the Sandberg Instituut Amsterdam. In 2013 Anja co-founded the initiative Hackers & Designers, attempting to break down the barriers between the two fields by enforcing a common vocabulary through education, hacks and collaboration. Anja pursues her research in the context of the PhD Arts doctorate programme focussing on Critical Making.
Arthur Roeloffzen ↓
Arthur Roeloffzen designs books, magazines, posters and exhibition graphics for various cultural institutions, such as Archiprix, Baltan Laboratories, Centraal Museum Utrecht, Frans Hals Museum Haarlem, Historisch Museum Deventer, Perdu, ProoffLab Magazine, Utrecht Manifest and Sonic Acts Academy. As well as for artists, architects and designers such as Chora, Simon Davies, Tal Erez, Information Design Studio, Aliki van der Kruijs, Serge Onnen, Jacqueline Schoemaker and Studio Makkink & Bey. Many of these collaborations include editorial and research processes.
He studied Graphic Design (BA) at the ArtEZ Academy of Arts in Arnhem and Artistic Research (MA) at the University of Amsterdam. His Amsterdam-based studio works for publishers such as nai010, Onomatopee, and University of Amsterdam. His work has appeared in Graphic Magazine and he lectured at Otis College of Art and Design, Los Angeles
Delphine Bedel ↓
Delphine Bedel is an artist, lecturer, editor and publisher, who specialised in emerging practices in photography, design and publishing. Her work is exhibited internationally. She is the founder of Meta/Books and the Amsterdam Art/Book Fair, as well as Member of the Advisory Board of the Mondriaan Fonds and the German Photography Academy (DFA). Meta/Books–her publishing studio and research platform–is an experimental framework to publish art, theory and design and promote a new generation of artists and designers.
Known for her cutting-edge publications, Bedel works with leading cultural institutions, art and design academies and corporate clients. She has lectured, served as a jury member and portfolio reviewer for museum and festivals including Musée National d’Art Moderne Paris (FR), Stedelijk Museum Amsterdam (NL), Rosfoto Museum and PhotobookFest Moscow (RU), Whitechapel Gallery, London (UK), Rencontres d’Arles (FR), Unseen (NL) and Fotomuseum Winterthur (CH).
She is core tutor at the Master Media Design / Piet Zwart Institute (NL) and has taught at the Geneva University of Art and Design (CH), Kunsthochschule Kassel (DE), Rietveld Academy and the Sandberg Institute (NL) among others. She is currently PhD Researcher at UCA – University for the creative Arts (UK), and contributes to books and magazines.
Jennifer Pettersson ↓
Swedish-born Jennifer Pettersson has been based in Amsterdam since 1998, where she graduated from the audiovisual department of the Gerrit Rietveld Academy. She makes radio and television documentaries and produces video installations. Many of her projects are about people who either follow their dreams, with unexpected consequences, or get trapped in their dreams. Her work includes the film Life is somewhere else (2006) about a group of people whose lives are put on hold, and Displaced (2008), a portrait of international aid workers.
She is one of the producers of 1 Minute, a series of short radio documentaries that was awarded the Special Prix Europa in 2008. In 2013 she was among the team of laureates to receive the Zilveren Reissmicrofoon (best Dutch radio program of the year) for Plots, a series of strange, true stories on one theme. Her story The wondrous adventures of the Omerovic Family, about refugees coming to Holland but refusing to be helped, was nominated for De Tegel, a Dutch prize for investigative journalism.
For the last ten years she has been teaching at several art academies and advised for different art and film funds.
Mijksenaar is an Amsterdam-based design agency that specializes in wayfinding systems and signage. Its projects are found in major transport hubs like airports and stations all around the world, but also in museums, and healthcare and leisure environments, helping millions of people find their way every day. Several tutors, connected to the Information Design department, work at Mijksenaar wayfinding experts.
Rijk Boerma (art director and partner) has over 30 years experience in wayfinding and signage design. His portfolio includes large-scale projects in public transport and airports and more detailed projects for hospitals, parking garages and offices. He published several articles on wayfinding in public buildings and is a visiting graphic design lecturer at AKV St. Joost (NL). In recent years he was a jury member of the annual Infographics Awards and the Dutch Design Awards.
Annemarie van den Bos
The focus of project manager Annemarie van den Bos’ work lies with Amsterdam Airport Schiphol, for which she is also the account manager at Mijksenaar. She obtained a BA in Graphic Design at Academie St. Joost (NL) in 1986. She is a Summer School lecturer at the Graduate School of Social Sciences and several Dutch design academies.
Information designer and senior project manager Fenne Roefs works on a variety of projects, combining her knowledge and experience in graphic design, cognitive psychology and ergonomics. She holds a Master in Cognitive Ergonomics at University Maastricht and a BA Graphic Design (Royal Academy of Art, the Hague). She published regularly on the subject of graphical user interfaces and is a visiting lecturer in Environmental Psychology at the University of Amsterdam.
Clement Van Vyve
Clement Van Vyve studied Information Design at London College of Communications (UAL) were he was awarded the Brand Union scholarship in 2011. He worked within organizations such as the Atelier de création graphique of the Musée du Louvre in Paris and Coast Design in Brussels. At Mijksenaar wayfinding experts he was involved in projects for Dutch Railways, Geneva International Airport as well as Qatar Railways.
Jiska van Veen With her multi-disciplinary background in human movement science as well as industrial design Jiska developed a broad knowledge on ergonomics and user - environment interaction. She is a regular lecturer at TU Delft Faculty of Architecture and the Built Evironment and several other design institutions. Jiska has gained international experience in working with people in different fields such as architecture, industrial and graphic design, and healthcare. Projects vary from larger transport hubs of Dutch Railways to several projects for Schiphol Airport.
Irma Földényi ↓
Irma Földényi (HU) graduated as a product designer in 2009 at the Moholy-Nagy University of Arts & Design (MOME), and in 2012 at the Design Academy Eindhoven, Social Design Masters with a cum laude. After her graduation she moved to Rotterdam where she founded her studio and works as a designer, researcher & consultant on international projects in the fields of digital technologies, design research and design education.
In the recent years Irma has been working with musea, cultural & educational organisations and companies such as the Open Society Institute, Philips Design Probes, Design Academy Eindhoven, Museum fur Angewandte Kunst Vienna, MU Artspace, Van Abbemuseum, z33 House for Contemporary Art and MOME where she has been a guest lecturer since 2013.
In her self initiated work she develops collaborative projects that question existing and establishes new relationships between digital information, perception and identity within different social-cultural contexts. Since 2017 she is teaching at the Willem de Kooning Academy, New Frontiers course.
Vincent Thornhill ↓
In his work, Vincent applies a critical lens to the processes and objects of digital culture. An inquiry into how new media disrupts conventional ways of seeing and interacting with our world is a common thread through his work, using identity and communal behavior as both content and medium. In this inquiry, he reframes new media systems and objects as cultural practices and artifacts.
In recent collaborations Vincent has used voice recognition tools to search popular databases, creating alternative perspectives on design lectures and exhibitions. In ‘Becoming one with representation’, a 3D virtual environments and a mindfulness session helped audiences to connect to the virtuality of our own perception. Through employing metaphors and analogy to make sense of our interdependent relationship with digital technology, Vincent uses language and images as tools to propose ways of seeing this cultural shift, rather than trying to define it.
Source Lecture Series ↓
Source presents a series of lectures by professionals from the fields of design, art and journalism. Their presentations focus on urgent socio-political themes in relation to the design of information such as 'news & science' and 'war & finance’. Some lectures concentrate specifically on the tools and technologies used by artists, designers and journalists; others explore different ways of reporting developed within these professions.
Lecturers are invited to concentrate their presentations around one or two projects. A ‘making of’ approach (instead of a portfolio slideshow) offers the students valuable insights in the design process. Recurring subjects are: how to find and select data and information (research & analysis), how to translate these into a powerful form (concept & design), and how to make results public (back into the world where the information came from).
Hansje van Halem
Remco van Bladel
Erik van Gameren
Karel van der Waarde
DOCUMENTARY & CINEMA
Shuchen Tan (Tegenlicht)
Arnold van Bruggen
Clément Saccomani (Noor)
JOURNALISM & RESEARCH
Christiaan Triebert (Bellingcat)
Jan Willem Petersen (Specialist Operations)
Stefan Laxness (Forensic Architecture)
Leon Willems (Free Press Unlimited)
Sybren Kooistra (Obama, Volkskrant, Groen Links)
MEDIA & TECHNOLOGY
Willem van Weelden
Henrik van Leeuwen
Matthijs van Boxsel (Encyclopedia of Stupidity)
Henrik van Leeuwen ↓
Henrik van Leeuwen is an independent artist/designer/researcher/inventor based in Utrecht. He studied Graphic Design (BA) at HKU University of the Arts Utrecht and Design (MA) at the Sandberg Institute, Amsterdam.
His research work is mostly center around the intersection of technology, geopolitics and society. He sees design more as a mentality then as an outcome. Critical design research interacting and interchanging with technological and interaction experimentation. A common theme in his work are (physical) communication structures and the power relations connected to these developments. Henrik van Leeuwen uses different technologies and tactics to provide insight into these important but complex developments and tries to develop counter strategies.
Besides his art practise Henrik is the co-founder of a digital creative agency and is active in several organisations active in open source publishing and communal writing and design processes. Since 2013 he is Interactive Media Design tutor at The Royal Academy of Art, The Hague
Irene Stracuzzi ↓
Irene Stracuzzi is a graphic designer and researcher. Specialising in communication, print and information design, she works independently as well as collaboratively with different clients and contexts. Her self-initiated projects revolve around cartography, geopolitics, climate science and the ontology of information visualisation. Using different media (printed matter, video, installations, text), her work aims to inform the audience about complex issues while reflecting on the role of design as a critical tool to share knowledge.
Irene graduated in Design and Visual Communication (BDes) from Politecnico di Torino in 2014 and in Information Design (MA) from Design Academy Eindhoven in 2017. An excerpt of her master thesis appeared on Migrant Journal and she has held several lectures about her work. In 2018 she received the Talent Development grant from Stimuleringsfonds Creatieve Industrie.
Noortje van Eekelen ↓
Noortje van Eekelen has many years of experience as an independent designer and researcher based in Amsterdam. From 2013 to 2015 she worked within the journalistic field, for Het Financieele Dagblad and NRC Handelsblad in Amsterdam.
Based on her passion for journalism, design and art, in 2017 she founded ACED, a platform for design and journalism with the aim of promoting interdisciplinary collaboration between the artistic and journalistic field.
Van Eekelen is currently working as a tutor at the MA Information Design at Design Academy Eindhoven. In the past she worked at the MA and BA departments of AKV St. Joost, The Hague University of Applied Sciences, Design Academy Eindhoven and Willem de Kooning Academy.
In her earlier years she gained work experience at design studios including Thonik, Studio Dumbar and Fabrique. Noortje van Eekelen obtained a MA in Designer at the Sandberg Instituut in Amsterdam.
Maurits de Bruijn ↓
Maurits de Bruijn is a web engineer and data-researcher graduated as graphic designer at the highschool for the arts in Rotterdam (currently Willem de Kooning)
He develops websites and digital applications for and with cultural organisations, artists and architects. Together with the artist Jeanne van Heeswijk he developed many productions that deal with networking, local empowerment and activism. Together with Juha van 't Zelfde he has worked many years on a project called 'Shippr'. A research project that investigated the application of global shipping data as a tool for investigative journalism.
At the of Artez - highschool for the arts (graphic design departement) he has been an teacher in graphic and editorial design. At Artez he co-established the interaction design department (interactiefarnhem.nl) together with Martijn van Boven, Jeroen Barendse, Daniel Gross, Joris Maltha, Richard Vijgen and Rein Houkes. Within this context he was a tutor in data design and computational design.
Willem van Weelden ↓
Willem van Weelden has a background in social philosophy and visual art, with a main focus on research, writing and teaching. As a former visual artist he never stopped linking media theory to the dilemma’s and intrinsic ‘problems’ within the tradition of the visual arts, and probes network culture from the vantage point of trying to open new vistas and habitats for the arts and social emancipation. He is committed to new media culture from 1990 onwards and has published on this topic in various magazines and catalogues. He was involved in numerous new media projects as a creative director and coach. In the summer of 2018 as a research fellow, he completed a research Master at the Sandberg Institute (department Critical Studies) with a project on Jean-François Lyotard’s media theory and his will to develop a way ‘to do philosophy by other means’. As a scenarist he developped the script for ‘Anyways’, a 360° VR movie simultaneously experienced by six participants. They are immersed in a conversation between 6 eccentric personas sitting in a train compartment. Each participant experiences the dialogue from the point of view of one of the six characters, depending on which headset he or she has on. The project was created by PIPSLAB (Keez Duyvis, Willem Weemhof, Zeynep Gunduz) (2017). Currently he is working on a new, and more extended production with PIPSLAB, again for six characters.